|
DAVID, Gerard
Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
|
ID: 06381
|
|
|

|
DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, Related Paintings of DAVID, Gerard :. | The Judgment of Cambyses (right panel) drg | Triptych of Jean Des Trompes (central) sdf | Triptych of Jan Des Trompes (rear of the wings) tye | Mary and Child with two Angels Making Music dsf | Pilate's Dispute with the High Priest fdg | Related Artists: Aurelia de sousa1869-1922
Evariste Carpentier(1845 -1922 ) - Painter
Frederic RemingtonAmerican Painter and Sculptor, 1861-1909
American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).
|
|
|
|
|
|
|
|