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DAVID, Gerard
Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
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ID: 06381
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DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, Related Paintings of DAVID, Gerard :. | Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg | The Nativity (detail)v td | Pilate's Dispute with the High Priest fdg | The Marriage at Cana (detail) dfgw | Altarpiece of St Michael dfg | Related Artists: jean metzingerJean Metzinger (June 24, 1883 Nantes, France?C November 3, 1956) was a French painter.
Initially he was influenced by Fauvism and Impressionism, but from 1908 he was associated with Cubism. Metzinger was a member of the Section d'Or group of artists. Certain pieces such as At the Cycle-Race track suggest speed and movement, ideas which are linked to the futurist movement.
Together with Albert Gleizes, Metzinger created the first major treatise on Cubism, Du Cubisme, in 1912. In the latter stages of his career, he moved away from cubism towards realism, while still retaining elements of cubist style. VALKENBORCH, Lucas vanFlemish painter (b. ca. 1530, Leuven, d. 1597, Frankfurt/Main).
Johan Fredrik KrouthenSwedish, 1858-1932
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